Disney made an estimated $296.4 million loss at the box office on just two of its Marvel superhero movies in 2023 according to analysis of recently-released financial statements.
They reveal that the cost of making The Marvels and Ant-Man and the Wasp: Quantumania came to a staggering $762.4 million (£609.3 million) before Disney banked $124.9 million (£99.4 million) in government incentives bringing its net spending on the movies down to $637.5 million. They both bombed at the box office.
According to industry analyst Box Office Mojo, the movies grossed a combined $682.2 million with theaters typically retaining 50% of the takings and the remainder going to the studio. This reflects the findings of film industry consultant Stephen Follows who interviewed 1,235 film professionals in 2014 and concluded that, according to studios, theaters keep 49% of the takings on average. It would give Disney just $341.1 million from The Marvels and Ant-Man and the Wasp: Quantumania. No expense was spared on them.
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Disney does not publicly discuss how much it spends on specific productions and did not respond to a request for comment. Budgets are usually a closely-guarded secret. This is because studios combine the costs of individual pictures in their overall expenses and their filings don’t itemize how much was spent on each one. Films made in the UK are exceptions and both The Marvels and Quantumania fall into this category.
Studios shoot in the UK to benefit from its Audio-Visual Expenditure Credit (AVEC) which gives them a cash reimbursement of up to 25.5% of the money they spend in the country.
To qualify for the reimbursement, at least 10% of the production costs need to relate to activities in the UK. In order to demonstrate this to the UK government, studios tend to set up a separate production company in the country for each movie they make there.
The companies have to file financial statements which shine a spotlight on their budgets. They reveal everything from the headcount and salaries to the level of reimbursement and the total costs. Studios directly receive the revenue from theater tickets, streaming and Blu-ray sales and carry the costs of marketing as the function of the UK companies is purely making the movies.
I didn’t mind the Marvels. I thought it had problems, and parts were cringy if you’re not into it. But the biggest flaw was the writing. It’s like they had these ideas for set pieces, and then tried to bring it all together as an afterthought. It wasn’t as bad as certain people wanted it to be.
Quantumania was unfinished. It was like they ran out of money and time and just submitted the minimally viable movie. Paul Rudd is always charming, and the actress playing Cassie/Stature is going to be a net plus to the Young Avengers. I think Michelle Pfeiffer was poorly utilized, and of course Kang became a PR problem. But the writing had some high points. The story was engaging, the stakes were real, and the characters all had arcs. The CG was shit, and the Giant Goof schtick is overplayed. Letting go of the physics is a prerequisite for any Superhero movie.
They did poorly because Disney was rushing. They wanted to generate energy and enthusiasm by deliberately releasing each new movie before the last one was available on streaming. But instead of creating fomo, they fostered indifference because the product wasn’t good enough. Nothing post-endgame felt like must-watch content. The tie-ins were half-assed, because the studio clearly did not have faith that they would ever get to wrap up each dangling plot thread.
The Marvels was better than Eternals. Quantumania was better than Wakanda Forever. None of them are great movies, but none are as bad as anti-woke or anti-superhero critics suggest.
Werewolf by night was lit. I loved that one. Man thing character aside, it was fun and suspenseful.
I do not understand Paul Rudd’s appeal at all. He just seems like a normal dork that isn’t ugly. Nothing against him, I just don’t get the gushing everyone else seems to do.
Have you seen his role as Celery Man?
Have now. Still not seeing the appeal, but then it takes more than seeing someone in something funny for me to like them specifically. I’m far too old to be fanatic about much, and Tim and Eric style silly sketches are hit and miss at best. Sure, the hits are really funny, but absurd is not funny in and of itself to me.